Timothée Chalamet tends to gaze instantly into the way forward for style. There have been all these princely sci-fi fits by Haider Ackermann on the Dune marketing campaign path. There have been the massive apocalyptic boots final week. However in his newest movie, Chalamet is throwing all of it the way in which again to the ‘50s—and unsurprisingly, the period’s model appears simply nearly as good on him as any neo-Parisian house tailoring.
Whereas filming Marty Supreme on location in New York Metropolis, Chalamet pulled up in a match that your grandad most likely would’ve proudly worn again within the good ol’ days. Which is smart, on condition that the film is a couple of desk tennis champ from again within the good ol’ days. Which means boxy suits, huge collars, sweater vests, pleated trousers, a neat facet half (a far cry from the standard untamed curls which have change into his calling card), and a cheeky little mustache.
And it is each a brand new and outdated search for the Oscar nominee. Whereas his roles have veered between the feral (Bones and All), and the fantastical (Wonka) and the fantasy (Dune), interval gown from one in every of menswear’s most interesting eras is just about new territory for the actor. There is a historic universality right here, too: style is continually championing appears from additional up the household tree, and the rise of grandpacore goes more durable than ever.
Consider the babushka headscarves of these energetic TikTok boys. Or the deeply traditional tailoring at Drake’s. Or the Truthful Isle knits at Howlin, which sources a lot of its wall from the Scottish Highlands. All three of these can plug instantly into the actor’s newest film (and actual life).
So perhaps Timothée Chalamet is not up to now into the long run as we thought. Actually, with Marty Supreme, he may be proper on time.
This story initially appeared on British GQ.