Future (seen right here in 2022) has launched three mixtapes since April of this 12 months which have all debuted at No. 1 on Billboard‘s album chart. Solely two different acts have put as many albums on the high of the chart in a six month span earlier than.
Andreas Rentz/Getty Photos
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Andreas Rentz/Getty Photos
This week’s Billboard Sizzling 100 singles chart presents extra of the identical — Shaboozey’s “A Bar Tune (Tipsy)” holds at No. 1 for a whopping twelfth nonconsecutive week — however there’s main volatility atop the albums chart. Final week’s No. 1 album disappears from the Billboard 200 totally, making room for rapper Future, whose new Mixtape Pluto debuts atop the chart, making it his third new album to high the Billboard 200 this 12 months.
TOP ALBUMS
On final week’s Billboard 200 albums chart, Travis Scott’s 2014 mixtape Days Earlier than Rodeo raced from No. 106 to No. 1 on the energy of its long-awaited vinyl launch. This week, with out the good thing about that vinyl surge, it plunges once more — dropping from No. 1 out of the Billboard 200 altogether — whereas one other rapper, Future, takes his place at No. 1.
Mixtape Pluto is Future’s third album of 2024, following We Don’t Belief You and We Nonetheless Don’t Belief You. These two collaborations with Metro Boomin every debuted at No. 1 simply three weeks aside again in April; the previous report’s music “Like That” truly kicked off this 12 months’s ramped-up beef between Kendrick Lamar and Drake. Naturally, three chart-topping information in six months places Future in choose firm: Solely two acts have duplicated that feat within the final 60 years, specifically The Beatles (in 1965-66) and… the solid of Glee, which pulled it off within the span of simply two months again in 2010.
Whereas we’re speaking milestones, Mixtape Pluto is Future’s eleventh No. 1 album, which ties him for fifth place all-time with Eminem, Bruce Springsteen, Barbra Streisand and the rapper previously often called Kanye West. (Drake has 13 No. 1s, Taylor Swift and Jay-Z every have 14 and the aforementioned Beatles maintain the report with 19.)
This week, Future’s success comes on the expense of pop star Chappell Roan, who’d made a critical bid for No. 1 along with the one-year anniversary of The Rise and Fall of a Midwest Princess’ launch. The album obtained 4 new variant editions on vinyl — and one on cassette — in a push to goose its gross sales. The bid labored up to a degree, as she offered roughly 50,000 vinyl copies, however it was solely sufficient to raise her from No. 3 to her prior chart peak of No. 2, a place she held for 2 weeks in August, behind Taylor Swift after which Publish Malone.
Rounding out the highest 5 are Sabrina Carpenter’s Brief n’ Candy (swapping spots with Midwest Princess to land at No. 3), Publish Malone’s F-1 Trillion (holding at No. 4) and Morgan Wallen’s One Factor at a Time (holding at No. 5). There are two chart debuts within the backside half of the highest 10 — Katy Perry’s 143 at No. 6 and Lil Tecca’s Plan A at No. 9 — whereas three outdated reliables spherical out the checklist: Taylor Swift’s The Tortured Poets Division (from No. 6 to No. 7), Billie Eilish’s Hit Me Onerous and Tender (holding at No. 8) and Noah Kahan’s Stick Season (from No. 9 to No. 10).
TOP SONGS
There’ve been a lot of latest weeks with little motion on the Sizzling 100 singles chart, however that is getting ridiculous: This week’s high 10 seems completely an identical to final week’s high 10 at first look, besides whenever you discover that two of Sabrina Carpenter’s three hit singles (“Please Please Please” and “Style”) swap locations at No. 8 and No. 9, respectively. That’s it!
Certain, there are minor, iterative milestones to debate. Shaboozey’s “A Bar Tune (Tipsy),” which holds at No. 1 for a twelfth nonconsecutive week, is now tied for third-most weeks at No. 1 for any music this decade. Morgan Wallen’s “Final Evening” was No. 1 for 16 weeks simply final 12 months, whereas Harry Kinds’ “As It Was” topped the chart for 15 weeks in 2022. As for the music whose run of weeks atop the chart this decade ties “A Bar Tune (Tipsy),” right here’s a touch: It might properly hit No. 1 once more, beginning later this 12 months. (Okay, right here’s one other trace: It’s Mariah Carey’s “All I Need for Christmas Is You.” That music has truly been No. 1 for 14 weeks in all, however solely 12 of them happened throughout this decade.)
Carpenter has hit a contemporary milestone of her personal: She’s now the one solo girl ever to land three songs within the high 10 concurrently for 5 consecutive weeks. (Cardi B as soon as did it 4 weeks in a row.) Along with “Please Please Please” and “Style,” “Espresso” holds at No. 3.
The remainder of the highest 10 is identical because it ever was — and, close to as I can inform, ever shall be: Publish Malone’s “I Had Some Assist,” that includes Morgan Wallen, is No. 2; Chappell Roan’s “Good Luck, Babe!” holds at No. 4; and Bruno Mars and Girl Gaga’s “Die With a Smile” sits at No. 5 but once more. Talking of “but once more,” Billie Eilish’s “Birds of a Feather” (No. 6), Teddy Swims’ “Lose Management” (No. 7) and Kendrick Lamar’s “Not Like Us” (No. 10) are additionally sedentary this week.
Additionally, although none of its songs hit the highest 10, Future’s Mixtape Pluto makes its presence felt throughout this week’s Sizzling 100: Each one among its 17 songs has crashed the chart, starting from No. 21 to No. 85.
WORTH NOTING
For example simply how stagnant the Billboard Sizzling 100 has gotten close to the highest, right here’s the highest 10 for the week of June 1:
1. Publish Malone that includes Morgan Wallen, “I Had Some Assist”
2. Kendrick Lamar, “Not Like Us”
3. Tommy Richman, “Million Greenback Child”
4. Shaboozey, “A Bar Tune (Tipsy)”
5. Billie Eilish, “Lunch”
6. Sabrina Carpenter, “Espresso”
7. Teddy Swims, “Lose Management”
8. Benson Boone, “Lovely Issues”
9. Hozier, “Too Candy”
10. Taylor Swift that includes Publish Malone, “Fortnight”
Right here we’re, 19 weeks later, and eight of these 10 songs are nonetheless within the high 13. “Lovely Issues,” “Million Greenback Child” and “Too Candy” have been hovering between 11 and 13 for weeks. And, whereas “Lunch” and “Fortnight” have slid significantly farther, the albums that spawned them stay within the high 10; these tracks have merely been overshadowed by subsequent singles (“Birds of a Feather” and “I Can Do It With a Damaged Coronary heart,” respectively).
Contemplate this: Since that June 1 chart, solely eight songs have entered the highest 10 for the primary time. Zach Bryan’s “Pink Skies” had a quick top-10 run in June, peaking at No. 6. Eminem’s “Houdini” bounced on and off the chart beginning in June, peaking at No. 2. Morgan Wallen’s “Lies Lies Lies” had a one-week cameo within the high 10 in July, peaking at No. 7. The remaining 5 tracks — “Birds of a Feather,” “Please Please Please,” “Die With a Smile,” “Style” and “Good Luck, Babe!” — are nonetheless there. That… isn’t loads of chart motion in 4 months.
For many who search one thing contemporary and progressive — one thing never-before-heard — on the high of the pop charts, take solace: If final 12 months’s charts are any indication, we’re simply eight quick weeks from the triumphant return of Brenda Lee’s “Rockin’ Across the Christmas Tree.”
