Marguerite Humeau: Meys

What’s in a reputation? For Marguerite Humeau, a shared prehistoric language, a collective future and the construction of her newest exhibition at The White Dice. Meys, which means to combine or deliver collectively in a hypothetical Indo-European language, is a multi-disciplinary physique of labor that imagines what bugs may construct with the stays of a human world. 

Humeau’s exploration begins in an unlikely place – at North Peckham Civic Centre. Slated for demolition, this former neighborhood hub encompasses a mural named The Historical past of Previous Kent Street, by Polish artist Adam Kossowski. Right here Humeau flips the script, summoning our personal destruction within the Centre’s place, by using a generative AI that resurrects Kossowski’s intelligence to erase the mural’s human figures. The ensuing research is outlined by absence. 

This act of literal de-centring is a prelude to Humeau’s immersive worldbuilding, made attainable by the work of dozens of craftspeople. Guests enter this world by a low-ceilinged passageway constructed into the exhibition house, the place the artist’s movie Collective Effervescence performs. This video tracks spectral termites as they have a tendency to their gardens, combining the uncanny not-quite-rightness frequent to AI renderings with the full of life dance of a collective constructing in the direction of launch. 

The passageway opens right into a dimly-lit atrium, populated by mushrooming sculptures constructed from wood nets, clay vesicles, beeswax gills and effervescent glass. These hybrid kinds are the synthesis of acquainted supplies, totems of an insect society that creates, consumes and shares the sticky-sweet merchandise of its collective labour.

A few of Humeau’s items, like The Forager for Honey, allude to a extra sexual technique of manufacturing, that includes undulations of walnut wooden and honeycomb holes. Others, like The Holder of Wasp Venom and Fallen Leaf V, provide locations for insect residents to cover their items – and themselves.  

Humeau’s Guardian sculptures function prominently right here, their crystalline protrusions and stacked plates defending gardens of fungus. Guardian of Ancient Yeast and Guardian of New Yeast oversee the gallery house, every thrumming from inside with sounds created by experimental musician Bendik Giske, supposed to recreate the reverberations of termites onerous at work. Each provide up globes of blown glass from their folds, encasing tiny portions of yeast – important components for the bread and beer that fortify our personal society. 

This exhibition is an ode to craft and collectivity; between musicians and technicians, researchers, AI and artists residing and lifeless. Humeau invitations all of them to partake in her speculative constructions, which really feel natural and hopeful the place it could be straightforward to slide into fatalism. Meys mixes artwork, science and tactile optimism to think about a method we would tunnel out of a darkish future and into the sunshine.

Meys is on view at White Dice Bermondsey till 14th Could.